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Welcome to the world of English

Auf diesen Seiten befinden sich die Texte und Zusatzmaterial zu den Vorgaben des Lehrplans.
Die Suche erfolgt über die Labels, im Archiv oder - ganz einfach- über die Suchfunktion.

Anregungen und Nachfragen bitte an:

KONTAKT: klassenleher@googlemail.com

oder nutzt die Kommentarfunktion unterhalb der einzelnen posts

1.British traditions and visions: British history

From Empire to Commonwealth, monarchy and modern democracy

The UK and Europe

2.Post-colonialism and migration:

From Empire to Commonwealth, multicultural society, post-colonial experience in India, Indian and Pakistani communities in Britain

3.Shakespeare – a literary ‘giant’ in the 21st century

4.Globalization - global challenges

Economic and ecological issues

International peace-keeping at the turn of the century: the role of the UN and the USA

5. The USA – the American Dream then and now

The American Dream – concept, history and current issues

Cultural diversity in the USA – migration

6.Utopia and dystopia – exploring alternative worlds

Science and ethics: genetic engineering

Science fiction, fantasy and utopia


Und hier die verpflichtenden literarischen Vorgaben


Roman:

Don DeLillo: Falling Man (GK)

Drama:

Tennessee Williams: A Streetcar Named Desire oder Lorraine Hansberry: A Raisin in the Sun (GK)

Lyrik:

Social Criticism in modern poetry and songs (GK)

Spielfilm:

Sam Mendes: American Beauty oder J. Clyton/F.F. Coppola: The Great Gatsby

Samstag, November 15

Narrator and point of view

Narrator and Point of View

Narrator (Erzähler):
The "voice" that tells a story. Unless it is an autobiography, the narrator is not identical with the author/writer.

Point of view (Erzählperspektive): The perspective from which characters, events, etc. are presented in a fictional text. The chosen point of view has a strong effect on the reader; for example, we tend to respond (reagieren)
more sympathetically to a character whose mind we "enter", as we experience for ourselves what the character goes through. In the course of many stories the point of view changes to make reading more interesting.

First person narrator / limited point of view (Ich-Erzähler):
The narrator is a character in the story and uses the first person singular ("I"). This narrator may be either the protagonist (Hauptperson)
or a minor character, who is just a kind of observer (neutraler Beobachter). As first person narration presents the action through the eyes of only one character, the narrator has a limited point of view. The reader tends to identify with the narrator.

Interior monologue (innerer Monolog): A particular form of first person narration which presents a character's thoughts, associations and memories. Interior monologues often do not follow chronological order, since, when people think, their thoughts jump from one subject to another.

Third person narrator / limited point of view (personaler Erzähler/~s Erzählverhalten): The narrator stands outside the story and uses the third person ("he", "she" or "they") to refer to the characters but presents the events mainly from the perspective of only one character, i.e. he "limits" himself to the perspective of this character.

Third person narrator / unlimited point of view, often called
omniscient narrator
[from Latin omnis: everything, scire: to know] (allwissender Erzähler):
The narrator can (at least theoretically) look into the minds of all characters and tell us about their thoughts and feelings. He can look into the past, tell about the present and also anticipate the future.

Reported thought (erlebte Rede): Thoughts, memories, associations, etc., are presented as reported speech (third person, past tense) but without common phrases like "she thought", "he wondered", "she asked herself" etc. This technique creates the illusion of intimate access to a character's mind.

Stream of consciousness (Bewusstseinstrom): An attempt to convey the continuous, often unstructured or even chaotic flow of thoughts and emotions in the human mind. Typical characteristics of this technique are incomplete sentences, sudden jumps or even complete lack of any traditional syntactical structure and punctuation.

Intrusive narrator (auktorialer Erzähler/~s Erzählverhalten): The narrator makes e.g. comments on the story, may reflect about the process of writing and may try to influence the reader. He sort of "intrudes" (stören, eindringen) on the reader and the reading process.

Unreliable narrator (unzuverlässiger Erzähler): The narrator e.g. contradicts himself and/or presents confusing information so that the reader must draw his own conclusions.

Mode of presentation (Art der Darstellung): The way a writer narrates events. The author can either tell the readers about events and their significance or show the reader what is happening. Most stories use a combination of both techniques.

Scenic presentation (szenische Erzählung): An event is presented in detail as it occured, i.e. a scene is described (= showing).

Panoramic presentation (berichtende Erzählung): The narrator tells the story as a condensed (verdichtet)
series of events, summarizing in a few sentences what happened over a longer period of time (= telling).

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